Registrations will be possible starting from the 9th of January, according to the procedures indicated in the Competition published below, in the updates of 4-1-2018

It is recommended to register as soon as possible to activate your online profile and avoid last-minute problems, to reserve a moment after registration in the Fit training course and the preparation of the study plan to be carried out by 21-1-2018.

We remind you that the training courses organized by the Accademia di Brera for the acquisition of 24 credits are valid for the Competition Classes A-01, A-02, A-03, A-04, A-05, A-06, A-07, A-08, A-09, A-10, A-14, A-16, A-17, A-61, A-62.

Please read the summary table of the requests for pre-registration / recognition of credits acquired in previous training courses in order to obtain the 24 credits for access to the Fit Competition.

The evaluation criteria used for recognition are reported in the Call, so it is advisable to read them. The specific comment for each is reported in the notes column.

The table is published in PROVISIONAL FORM. Anyone who finds inaccuracies with respect to their request is requested to communicate it as soon as possible exclusively by e-mail to the address Percorso24CFA@accademiadibrera.milano.it

AWARDS TABLE

We inform you that the Commission for FIT courses is working on processing the pre-enrollment requests received. There will still be a few days of waiting given the numerous adhesions and the complexity of the individual situations to be analyzed.

While waiting to be able to give definitive indications on the registration procedures, we anticipate some priority points.

As previously specified, the Courses will be activated in the afternoon / evening and on Saturday. They will start after mid-January and end in April.

Regarding the Certifications for obtaining the 24 credits valid for access to the FIT Competition

PLEASE NOTE as expressly provided for by the sector legislation (Legislative Decree 59/17 and Ministerial Decree 616/17) and pointed out by the Circular prot. n. 32688 for the AFAM sector and by Circular prot. n. 29999 for the University sector prepared by the Ministry of Education, University and Research, to obtain the recognition of credits obtained in previous training courses at other institutions, whether the single final Certification is requested from the Accademia di Brera, or intends to attend the courses for the completion of the 24 credits, the certification of the credits already acquired issued by the institutions of origin must be produced.
This certification must be issued pursuant to Legislative Decree no. 59/2017 of art. 5, c. 1, letter b) and c. 2, letter b), and of the D.M. n. 616/2017, art. 3, and must report:
name of the discipline, code of the disciplinary sector (SAD - SSD), number of credits (CFA - CFU), grade, educational objectives and / or program of the course.
The certification produced will then be received by the Accademia di Brera which will thus be able to certify the achievement of credits in the final single certification.
Only in this way will it be possible to validate the credits acquired in the different training contexts.

Those who have applied for Certifications to the Accademia di Brera are informed that:

For obvious reasons, priority will be given to the certifications required by those who complete the training course at other institutions.

Subsequently, the certifications will be produced for those who have already acquired all 24 credits in their previous training courses and need the final single certification pursuant to Ministerial Decree 616/17. This certification will then be useful for participation in the FIT Competition.

Pedagogy - ABST 59

• Pedagogy and art teaching (50 hours, 6 credits)
• Education technologies (50 hours, 6 credits)

Psychology - ABST 58

• Theory of perception and psychology of form (50 hours, 6 credits)
• Psychology of art (50 hours, 6 credits)

Anthropology - ABST 55

• Cultural Anthropology (50 hours, 6 credits)
• Anthropology of art (50 hours, 6 credits)

Didactic Methodologies and Techniques - ABST 59

• Didactics of artistic languages (75 hours, 6 credits)
• Multimedia teaching (75 hours, 6 credits)

Please note that at least six credits must be acquired in at least three of the aforementioned disciplinary fields and that the remaining six credits can be acquired indifferently in one of the four fields chosen by the candidate.

Please Note: the insertion of the courses for the acquisition of the 24 CFA is possible at any time. There are no particular deadlines to respect except those relating to the beginning of the courses you intend to attend.

It is possible to request the inclusion of courses both in the first and in the second semester, as well as in the first or subsequent years.

For the purpose of acquiring the 24 CFAs for access to the Competition for teaching qualification, students enrolled in the diploma courses of the Accademia di Brera of Fine Arts can integrate their educational path with any additional exams, i.e. in excess of respect to the exams of their study plan, at no additional cost. Those who will include additional disciplines in their study plan for the purpose of acquiring the 24 CFA, may, if they wish, take advantage of an additional semester to the normal duration of their studies. The additional semester also has no additional costs.

To ask the Evaluation Committee for recognition of the exams already taken and to include in the study plan the disciplines necessary to complete the 24 CFA, it is necessary to fill in the form downloadable at this link and send it to the email antoniaiurlaro@ababrera.it

For information, please contact Antonia Iurlaro at the Departments Offices on Monday, Tuesday, Wednesday and Friday from 2.30pm to 4.30pm, after 4.30pm by phone at 02.86955326, or by e-mail antoniaiurlaro@ababrera.it

Those who have already completed their studies at the Accademia di Brera or at other institutions and must integrate the exams taken to reach the 24 CFAs for access to the competition for teaching qualification, can use the normal registration procedure for Single courses active at the Accademia di Brera of Fine Art, according to the methods indicated on this page: Enrollment Procedure for Single Courses, for which the payment of fees is required as described on this page: Fees, taxes and financial contributions for Single Courses

PLEASE NOTE: registration for single courses is possible from September 30th to October 25th

At the moment the following list of disciplines is made available to which it is possible to enroll as single courses for the purpose of acquiring the 24 CFA.

Any possible variation will be promptly updated.

ANTHROPOLOGICAL AREA

• Cultural anthropology
• Anthropology of art
• Archetypes of the imaginary

PSYCHOLOGICAL AREA

• Psychology of art
• Theory of perception and psychology of form

PEDAGOGICAL AREA

• Pedagogy and didactics of the Art
• Technologies of education

SCOPE OF DIDACTIC METHODS

• Multimedia teaching
• Didactics for the museum
• Didactic methodologies of audiovisual languages
• Didactics of artistic languages

To obtain the recognition of the credits acquired in the study paths already completed, the appropriate form must be completed and sent by e-mail to antoniaiurlaro@ababrera.it at the bottom of the page:

• Request for final certification of the 24 CFA
• Request for certification of partial recognition

Please note that the recognition of credits acquired in previous training courses must be CERTIFIED by the secretariats of the institutions of origin through a specific document drawn up according to the indications of the ministerial circular at the bottom of the page. Therefore, please check the recognition procedures put in place by your institution of origin. The Accademia di Brera fully acknowledges the Certifications of recognition of the other institutions and carries out any secretarial assessments following self-certification.

It should also be remembered that the Final Certification must be issued by the last institution where exams were taken that are useful for obtaining the 24 CFAs.

Registration for single courses requires an amount of € 196.00 for the first course chosen. From the second course onwards, a 30% discount is applied.

The Mav with the amount due will be generated on your online page to be paid by 14/03/2019.

The payment of the Mav is valid as registration and the amount due also includes the stamp duty of € 16.00.

The Government tax of € 72.67, as an enrollment / attendance fee, must be paid by 14/03/2019 to the c.c.p. 1016, headed: Agenzia delle Entrate Centro Operativo di Pescara tasse scolastiche and a stamped copy must be uploaded to your online profile, by entering the payment date within 5 working days.

At the end of the 24CFA course, in case of achievement of the 24 training credits, the Accademia di Brera of Fine Arts will issue the Single Final Certification necessary for participation in the qualifying course, which will certify the achievement of the training objectives, the marks obtained in the exams and the credits. acquired training courses, including credits obtained in previous activities certified by the granting institutions, in accordance with the provisions of Legislative Decree no. 59/2017, art. 5 c. 1 letter b) and c. 2 letter b).

Credits acquired both in the First and Second Level or in the courses of the Old System are valid.

For those who are still enrolled in academic or university courses, the Single Final Certification as per D.M. 616/17 Art.3 c. 6, may be issued following the achievement of the  Second Level or Master's Degree (qualifications for access to teaching), exclusively by the last institution where the exams valid for the purposes of the 24 CFA will be taken.

It should be noted that the recognition of credits acquired in previous training courses must be carried out by the institutions where they were acquired, through a specific Partial Recognition Certificate. Therefore, please check the recognition procedures put in place by your institution of origin.

The Accademia di Brera fully acknowledges the Certifications of recognition of the other institutions. PLESE NOTE: in the absence of the Partial Recognition Certificate it will not be possible to insert the credits in the Final Single Certification.

For all information on the Route 24CFA and access to teaching, and for the additional inclusion of the courses of the Route 24CFA in the study plans of students enrolled in the diploma courses of the Accademia di Brera: Ph. 02.86955326 from 12.00 to at 13.00 and from 16.00 to 18.00 from Monday to Friday

Mail: Percorso24CFA@accademiadibrera.milano.it

For technical problems regarding access and use of the on-line Secretariat: Ph. 02.86955.1 - from 9.00 to 10.00 and from 13.00 to 14.00 every day except Thursday.

Mail: Segreteria.Didattica@accademiadibrera.milano.it

List of training activities for which recognition can be requested in order to achieve 24 credits

PEDAGOGICAL AREA - Disciplinary sectors of reference: ABST59

• Pedagogy and didactics of art
• History of pedagogy
• Education technology
• Pedagogy (from artistic Therapeutics)
• Pedagogy of relationship and educational communication (from artistic Therapeutics)

PSYCHOLOGICAL AREA - Disciplinary sectors of reference: ABST58

• Theory of perception and psychology of form
• Psychology of art
• Psychosociology of cultural consumption
• Fundamentals of Psychology (from Art Therapeutics)
• Fundamentals of Psychiatry (from Art Therapeutics)
• Fundamentals of Child Neuropsychiatry (from Art Therapeutics)

ANTHROPOLOGICAL AREA - Disciplinary sectors of reference: ABST55

• Cultural anthropology
• Anthropology of art
• Anthropology of complex societies
• Archetypes of the imaginary
• History of popular religiosity
• Ethnopsychiatry (from artistic therapy)

SCOPE OF TEACHING METHODS AND TECHNOLOGIES - Disciplinary sectors of reference: ABST59

• Multimedia teaching
• Didactics for the museum
• Children's literature and illustration
• Didactic methodologies of audiovisual languages
• Didactics of artistic languages
• Playful-creative animation practices
• History of pedagogy
• Education technology

As reported in Annex C of Ministerial Decree 616/2017, in the context of Didactic Methodologies and Technologies it will be possible to request the recognition of some disciplines relating to the following Artistic Disciplinary Sectors:

ABST59, ABAV1, ABAV2, ABAV3, ABAV4, ABAV5, ABAV6, ABAV7, ABAV8, ABAV9, ABAV10, ABAV11, ABAV12, ABAV13, ABPR17, ABPR18, ABPR19, ABPR22, ABPR23, ABPR34, ABTEC40, ABTEC41, ABTEC42, ABTEC43, ABST45, ABST46, ABST47, ABST48, ABST49, ABST50, ABST51, ABST52, ABST53

A specific Commission will collect the requests from time to time and will evaluate the conditions of recognition.

FOR THOSE COMING FROM OTHER INSTITUTIONS, please note that the recognition of credits acquired in previous training courses must be CERTIFIED by the secretariats of the institutions of origin through a special document drawn up according to the indications of the ministerial circular at the bottom of the page. Therefore, please check the specific procedures implemented by your institution. The Accademia di Brera fully acknowledges the Certifications of recognition of the other institutions.

The BRERA Nanorestart working group shall be coordinated by the Art Historian Giovanni Iovane, and supervised by Giuseppe Bonini Vice Director of Accademia di Brera of Fine Arts.

The professor Anna Lucchini, the restorer lab technician Elisa Isella and the restorer Patrizia Buratti (external collaborator), are involved for the studies on paintings on canvas, professor Maria Chiara Palandri and the restorer lab technician Laura Barzaghi are involved for the interventions on paper.

To support the work of the restorers and guarantee the results, BRERA has appointed a History of Art and Scientific Support Group composed by the Academy professors: Claudio Cerritelli, Gaetano Fanelli, Flaminio Gualdoni, Laura Lombardi, Anna Mariani, Raffaella Pulejo, with the influential collaboration of the restorer Luciano Formica, former Director of the Brera School of Restoration, as external member.

• Anna Lucchini, Senior Researcher

Graduated from OPIFICIO DELLE PIETRE DURE E LABORATORI DI  RESTAURO of Florence, Italy in 1984
Graduated in Science for Cultural Heritage at the School of Letters and Philosophy of Arezzo – University of Siena, Italy.
Certificate of attendance at the two-year course of Conservation and Restoring - International University of Art (U.I.A.) of Florence, Italy.
Certificate of attendance at the two-year course of Museology - International University of Art (U.I.A.) of Florence, Italy
Retraining courses at Centro Studi Materiali per il Restauro e la Conservazione dei Beni Artistici 7 (CESMAR 7), with Prof. Vishwa Raj Mehra and Prof. Richard Wolbers.
Professor of “Technique and Methodology for the Restoration of wall paintings” and ” Technique and Methodology for the Restoration of paintings at the Academy of Fine Arts of Brera in Milan, Italy from 2000 at present.
In collaboration with the Department of Architecture of the Politecnico of Milan, she has worked on the project of permanent training of restoration of frescos and wall paintings based in Yerevan, Armenia.
Anna Lucchini has been active in art conservation,for the last thirty years. She has been working with the most important Italian museums, the General Direction for the Historical and artistic heritage of Milan and Lombardia, with Art Civic Collections, and with Arcibishop’s Curia.
Among the most important restoration works of the last years:
•    Fifteenth-century wall paintings of Zavattari, ”Storie della Regina Teodolinda”, Church of  S. Giovanni Battista, Cathedral of Monza, (MB), Italy
•    Wall paintings of Giotto school “Crucifixion of Christ”, Church of S. Gottardo of Milan, Italy
•    Oil on canvas “Ritratto della Madre”, of U. Boccioni,1907, Civic Collections, Milan, Italy
•    Wood panel painting “Ultima Cena”, G. Ferrari, 1543, S. Maria della Passione, Milan, Italy
•    Oil on canvas ’ ”Ultimo bacio dato a Giulietta da Romeo”,  F. Hayez, 1823.
Moreover, she studied and analysed the state of conservation of the Leonardo da Vinci’s monochrome, and of the wall paintings of the vault in the “Sala delle Assi”, Sforzesco Castle, Milan, Italy.

• Chiara Palandri, Senior Researcher

Maria Chiara Palandri is a Book and Paper conservator graduated at Istituto per la Patologia del Libro “Alfonso Gallo” (ICPL) in Rome. Her long professional career is articulated in various different situations and different professional experiences. She worked as book and paper conservator in her own studio in Genova, Italy, from graduation until 1998, dealing with conservation projects for Public Libraries and Museums. From 1999 to 2015 Chiara Palandri worked as senior book and paper conservator at the Conservation Department of the National Library of Norway. She now works at the National Library of Norway as a consultant and recently as part of the project: Literary Citizens of the World. Tracing the transnational crossroads of books in Early Modern Norway. Since 2004, she is Professor in Conservation and Restoration of parchment and paper based materials at the Academy of Fine Arts of Brera in Milan (Italy), leading both labs and theoretical courses. Chiara Palandri is also supervisor for master thesis in conservation, member of several organizations and an active part of international projects in the field of conservation and history of techniques and materials. Since 2015 she is a member of the IADA Board (International Association of Book and Paper Conservators).

• Laura Barzaghi, Junior Researcher - Restorer lab technician

Restorer and conservator of paper artifacts and photographs. She has a Master Degree in restoration of contemporary art at the Accademia di Brera of Fine Arts in Milan, and specialized as a result of experience and vocational training courses at: the Centre for the Restoration of Berson Photography in Milan, the Alinari Foundation, the Opificio delle Pietre Dure in Florence, and the laboratories for diagnostic Innohvub Milan.
Over the past eight years, she is engaged in the role of Laboratory Technician for the Restoration School of the Accademai di Brera, for the sector PFP5 - library and archive material, artifacts and parchment paper, photographic material, film and digital.
She is currently taking part with a group of international work on a project, partially funded by the Consulate of the Republic of Korea, on the introduction and experimentation in paper restoration of traditional Korean mulberry papers, Hanji.
She collaborates and has collaborated with public and private organizations including the Historical Archives of the Fiera Milano Foundation, the Museum of Cultures MUDEC, the Unicredit Archive, the Campari Archive in Milan, the National Library of Norway in Oslo, the Pope Giovanni XXIII Foundation in Bergamo.
For further information see

• Elisa Isella, Junior Resarcher - Restorer lab technician

Restorer and conservator of painting specialized in contemporary art. Accomplished a degree in Restoration of contemporary art at the Accademia di Brera of Fine Arts in Milano, and several workshops and refresher courses at research institutions like Cesmar 7 or internationally recognized professionals like Paolo Cremonesi and Richard Wolbers.
Adjunct Professor at the Academy of Fine Arts of Bologna and technician of restoration laboratory at the Academy of Fine Arts in Milano, Brera (profile number 1 and 2) for 8 years.
Winner of a prize in relation to a nation-wide project about conservation of street art.

Better known as the Accademia di Brera, it is a public university based in via Brera 28 in Milan. According to the current training offer (MIUR), the Accademia di Brera is included in the university sector, in the sector of Higher Artistic and Musical Education and issues First Level academic diplomas (equivalent to a degree) and Second Level (equivalent to a master's degree). The Accademia di Brera is one of the oldest schools in Italy, an emblem of history and characters who have made art, marking certain eras in our country. Since 1776 it has contributed to the active dialectic between science, literature and the arts. Twinned with the most important international academies and universities for research projects and educational and artistic mobility, still today with the same passion, Brera retains its desire to grow and create culture.