Department of Visual Arts

Two year course

Second Level Decoration course

The Course provides advanced training in forging personal codes of style of decoration together with a multidisciplinary approach to the field of art with particular reference to theory, know-how and contemporary art practices. The focus is the progress and development in the creation of personal work, driven by consolidated methodological and design motivations, aware of traditions and characterized by innovation and experimentation.

  • styles of decoration that fuel research in the visual and environmental arts
  • personal research on a creative design theme in the didactic context
  • decoration critical and theoretical know-how, in the exchange with artists and teachers

Core disciplines

Decoration 1 | Decoration 2| Philosophy of art | History of contemporary art | Latest trends in visual arts | Drawing techniques and technologies | Video installation | Contemporary plastic techniques | Sustainable design | History of applied arts | Photography | Sculpture | Planning and design methodologies

 

Advanced and supplementary disciplines

To be chosen by the student
Additional training activities to be chosen amongst those available courses together with Seminars- Workshops-Internships, Apprenticeships

Admission is automatic for those students who have graduated from the Accademia di Brera with a First level academic Diploma in Decoration.
A motivational interview and an assessment of any previous career and portfolio by the Commission of the School, and on conditional advancement on retaking failed exams if the student:

  • comes from another Accademia
  • comes from another Italian or foreign University faculty
  • comes from a Four-year Course (under the former education system)

Future Employment prospects

Graduates of the two year Master’s programme in decoration will carry out specialized activities as freelance professional artists in a range of areas, creating visual works of art as well as in the planning of larger interventions on a national scale. Having acquired these highly specialized qualifications in traditional and multi media artistic techniques allows for the application of know-how in a number of creative activities, opening up to the opportunity of collaborations in organizational and managerial roles in different areas where design and operational skills aimed at both public and private clients are required

Study Plan

Decoration 2 Level

A.Y. 2023/2024

Consultazioni cambio disciplina

A.A. 2017/2018

Department of Visual Arts

Two year course

Second Level Graphic Art course

The main objectives of the Course is to provide specific training on the styles of contemporary art graphics in visual arts, in relation to current practices of creating and to critical discussion. The main focus is the knowledge of the rich and varied world of graphic arts, from drawing to photography, from the classical engraving of the great Masters through to digital fine art, a set of teachings aimed at going beyond providing really operative, methodological and planning and design know-how, to include cultural, instructive teachings, allowing for a greater awareness and ability in the development of one’s own artistic project.

  • your artistic research in a theoretical, critical and operational perspective
  • the study of traditional graphic techniques together with the know-how of multi media styles of expression
  • all the tools and professional skills required to create an expositive project of your artwork, also within an international exchange context.

Core Disciplines

Techniques of Engraving- Art Graphics 1 | Techniques of Engraving- Art Graphics 2 | Graphic techniques and technologies | Phenomenology of contemporary arts | Techniques of digital animation | Latest trends in visual arts | Multi media planning and design | Art anthropology | Human body semiotics | Phenomenology of image | History of contemporary art | Avant-garde chalcography techniques | History of modern art

 

Advanced and supplementary disciplines

To be chosen by the student
Additional training activities to be chosen amongst available courses together with Seminars-Workshops-Internships, Apprenticeships

Admission is automatic for those students who have graduated from the Accademia di Brera  with the First Level Academic Diploma in Graphic Arts.
A motivational interview and an assessment of any previous career and portfolio by the Commission of the School and conditional advancement on retaking failed exams if the student:

  • comes from another Accademia
  • comes from other Italian or foreign faculties
  • comes from a Four-year course (under the former education system)
     

Future Employment prospects

Second Level, Master Graduates in Graphic Arts will develop and consolidate skills enabling them to take on professional roles in different fields: from a freelance professional artist and more generally in the vast field of visual arts, to creative activities and didactics, in publishing, in the world of illustration and/or graphic design. The cultural background will be enhanced by operational skills and know-how from the history of art through to aesthetics, providing the necessary skills to successfully undertake professional careers in the varied world of art.

Study Plan

Graphic Art 2 Level

A.Y. 2023/2024

Consultazioni cambio disciplina

A.A. 2017/2018

Department of Visual Arts

Two year course

Second Level Sculpture course

The Course is aimed at developing poetics, styles, design methodologies in young artists who already have basic sculpture technologies, in the critical exchange between teachers and students and in relation to contexts, both in traditional exhibition environments as well as further afield to urban spaces.

  • your artistic research in traditional sculpture or in the experimentation of new styles
  • debate and critical reflection on sculpture in the context of contemporary artistic practices
  • an exhibition project with your works to be developed in the didactic context of the School

Core disciplines

Sculpture 1 | Sculpture 2 | Techniques of marble and semi precious stone | Aesthetics of visual arts | History of contemporary art | Planning and design of urban and local interventions | Anthropology of art | Techniques of sculpture | Foundry techniques
| Latest trends in visual arts | Virtual architecture | Decoration | Multi media installations

 

Advanced and supplementary disciplines

To be chosen by the student
Additional training activities to be chosen amongst the available course and with the inclusion of Seminars-Workshops- Internships, Apprenticeships

Admission is automatic for those students who have graduated from the Accademia di Brera with the First Level Academic Diploma in Sculpture. A motivational interview and an assessment of any previous career and portfolio by the School Commission and on conditional advancement on retaking failed exams if the student:

  • comes from another Accademia
  • comes from other Italian or foreign University faculties
  • comes from a Four year Course (under the former education system)

Future Employment prospects

Senior professional roles in the world of visual arts and related specialist professions, and those connected to the field of aesthetic and artistic activities, as well as in the architecture and urban planning field.

Study plan

Sculpture 2 Level

A.Y. 2023/2024

Consultazioni cambio disciplina

A.A. 2017/2018

Department of Visual Arts

Two year course

Second Level Painting course

The aim of the course is to provide specific training in painting styles together with a multidisciplinary preparation in the field of art with particular reference to theories, knowledge, practices and styles of contemporary art. The central focus is the progress in the creation of work interpreted for its methodological and design aspect as well as its operational one. Following a didactic path aimed at enhancing in depth knowledge of theories, materials and technological tools of art, influences, the course also intends to develop interpretation skills related to the world of art, its settings and contexts, its diffusion, its interpretation of reality and contemporary image. For this purpose the workshops are places of experience in a specific yet well integrated training course which will touch on the most relevant subject matters.

  • multidisciplinary training in the field of contemporary art styles
  • debate and critical reflection of contemporary artistic activities
  • design and creation of advanced research exhibition projects

Core disciplines

Painting 1 | Painting 2 | Human body semiotics | Morphology and shape dynamics | Philosophy of art | History of contemporary art 1 | History of contemporary art 2 | Photography | Techniques and technologies of visual arts | Phenomenology of contemporary arts |  History and methodology of the criticism of art | Digital applications for art | Latest trends in visual arts | Planning and design for painting

Advanced and supplementary disciplines

Chosen by the student
Additional training activities to be chosen from those available courses and with Seminars- Workshop- Internships, Apprenticeships

Admission is automatic for those students who have graduated from the Accademia di Brera with the First level Academic Diploma in Painting.

A motivational interview and an assessment of any previous career and portfolio by the School Commission and conditional advancement on retaking failed exams if the student:

  • comes from another Accademia
  • comes from other Italian or foreign University faculties
  • comes from a Four Year course (under the former education system)

University standards have set a limit of 12 CFA (University Training Credits) for previous professional knowledge and activities

Future Employment prospects

The employment prospects are those of the visual arts world and those specialized professions connected to it in the field of aesthetic and artistic activities, communication and the movement of art.

Study Plan

Painting Second Level

A.Y. 2023/2024

Discipline change consultations

A.Y. 2017/2018

Visual Arts

Applied Arts and Design

Communication and Didactics of Art

Department of Communication and Didactics of Art

Three year course

First Level Communication and Didactics of Art course

The Course is characterized by a theoretical approach with disciplines that weave perfectly between the areas of the history of art and the history of criticism, as well as aesthetics, phenomenology and anthropology, pedagogy, museum tutorials, cataloging archives. Set in the Brera environment, in contact with historical traditions as well as the artists, the course allows you to enhance your training by approaching artistic practices and new technologies through workshops, offering the opportunity to identify specific interests which can be explored then in the two year Visual Culture and curatorial Practices course.

  •  
  • contemporary art and its relationship with modern day know-how
  • design and set-up of exhibition and museum spaces
  • communication techniques for conveying and teaching contemporary arts through traditional media and new technologies
  •  

Core disciplines

Cultural Anthropology | Natural and cultural heritage | Cataloguing and archive management | Aesthetics | Phenomenology of contemporary arts | History of contemporary art 1 | History of contemporary art 2| History of modern art | Didactics of artistic styles | Didactics of multimedia 1| Didactics for museums 1  Didactics for museums 2 | Didactic methodologies for audio visuals | Museology and the history of collecting | Pedagogy and didactics of art | History and methodology of art criticism | Extra-media techniques 

Advanced and supplementary disciplines

Design for painting | History of film and video | History of design and graphics | History of architecture and urban planning | History of photography | History of fashion | History of applied arts | History of artistic techniques | History of performance | Techniques and technologies of visual arts | History and theory of cultural heritage

Students must have a secondary school diploma or similar equivalent foreign qualification. The admission test is made up of a multiple choice test which includes 30% of general knowledge questions and 70% of specific history of art questions from ancient times to modern day.

Future Employment Prospects

  • Professional activities in the communication and organization of art exhibitions and events (press office public relations, curatorship)
  • Cataloguing and archiving contemporary works of art
  • Creation and design of didactic workshops for a wide target range

Study Plan

Communication and Didactics of art 1 Level

A.Y. 2023/2024

Department of Communication and Didactics of Art

Three year course

First Level Valorization of Cultural Heritage Disciplines course

The course aims to train versatile and creative professionals able to carry out a range of different activities in the private and public sector: protection bodies, local authorities, foundations and private entities. In addition to a solid cultural background (history of art and architecture, archaeology, archives and the history and theory of conservation) all the theoretical, methodological and application tools are provided in order to manage communication and valorization.

  • history of art, cultural heritage, the world of exhibitions and museums
  • valorization and enhancement of cultural heritage and the landscape
  • communication applied to art and culture

Core disciplines

Design and evaluation of cultural heritage | History of ancient art | History of medieval art | History of modern art | History of contemporary art | Aesthetics | Basics in iconology and iconography | Cultural and Natural heritage 1 (history and theory ) | Cultural and natural heritage 2  (landscape theories) | Cultural and natural heritage 3 (single subject course) | Cultural heritage in the modern age | Museography 1 | Museography 2 | Museology and the history of collecting | Exhibition design | Communication and valorization of archive assets | History and documentation of architectural heritage | Valorization of archaeological heritage

Advanced and supplementary disciplines

Cultural anthropology | Economics of the art market | Photography for cultural heritage | Cultural heritage legislation | History of film and video | History of photography | History of artistic techniques | Web design

Students must have a secondary school diploma or qualification. Overall, solid general knowledge is required, while particular skills in the field of drawing are not required. The access requirements  are verified by means of a written test (an essay on a subject related to the history of art) and a subsequent aptitude interview.

Future Employment Prospects

The cultural training achieved during the three year diploma in the field of cultural heritage opens up to a number of different professions. Graduates will be able to carry out consultancy and support services to local conservation and protection bodies for the design and creation of valorization programmes, exhibition events, cultural services for the general public, for the use of monumental buildings, panoramic or urban parks as well as for promotional activities and editorial initiatives. Graduates will also be able to work as archive assistants in cultural institutions, galleries etc; organizers of exhibitions and activities in archaeological sites and “literary parks” (journeys that recall places in literature); specialists in the management of tourist communication and in the application of the new forms of multimedia and social communication; organizers of conferences and cultural events; communication specialists in museums, libraries, foundations and cultural institutions.

Study Plan

Valorization of Cultural Heritage Disciplines 1 Level

A.Y. 2023/2024

Department of Applied Arts and Design

Three year course

First Level Art and New Technologies course

New technologies have changed our society dramatically leading to an evolution in the world of art, its communication and the role of the artist, creating new horizons of the imaginary and forging new connections between aesthetics, ethics, philosophy and scientific disciplines. The School of Art and New Technologies, the so-called “Arts and Media”, is a training ground that develops practices and ideas on art, fostering the exchange and merging of know-how and expertise. Art has the ability and the need to transform techniques into style and communication, bringing out its full expressive potential.

Our School approaches and evaluates current trends with critical sensibility, orienting itself towards research, innovation, artistic experimentation and therefore should not be considered a technical school that simply pursues the commercial models of new media.

The educational syllabus reflects this variety of approaches, through theory classes and workshops capable of rendering a thorough, articulated and interdisciplinary training, to guide the student towards a conscious and fully-developed artistic and cultural activity. On the basis of these guidelines, whilst focusing on innovation, the School fully reflects the tradition of the Accademia di Belle Arti, which pursues, at the same level of university education, a perfectly harmonious training and development model based on theoretical knowledge and artistic practice.

  • the imagery of new media and consequent cultural transformations
  • creative research through new technologies
  • creation of images and “black mirror” style story telling 

Core disciplines

Computer graphic | Drammaturgia multimediale | Fotografia | Storia dellʼarte contemporanea | Tecniche di animazione digitale | Teoria e metodo dei mass media | Antropologia culturale | Digital video | Progettazione multimediale | Sistemi interattivi | Sound design | Tecniche audiovisive per il web | Tecniche di ripresa

Advanced and supplementary disciplines

Linear audiovisuals | Computer games | Digital staging | Light design |  Didactic methodologies of audio visual communication | Semiotics | History of music and musical theatre | Techniques of audio visual documentation | 3D digital modeling techniques | Editing and montage techniques | Use of software for the web | Artistic anatomy | History of modern art | Video sculpture | History of photography

To be admitted you need a high school diploma or other suitable qualification obtained abroad. Foreign students are required to present a certificate attesting knowledge of the Italian language. The exam is made up of a general knowledge test, an audio visual test and an aptitude interview.

Future Employment Prospects

Graduates will carry out a number of professional activities in different areas, related to the freelance artistic profession in the area of new technologies as well as collaborating  with the planning, design and implementation of specific interventions of new technologies, from the design and creation of interactive audiovisual and multi media works to virtual modeling.

Study Plan

Art and New Technologies 1 Level

A.Y. 2023/2024

Department of Applied Arts and Design

Three year course

First Level Artistic Design for Business course

The course takes place in the dynamic and stimulating productive setting of Milan, in the privileged context of contact with the artists, culturally endorsing the training and the acquisition of specific professional skills and planning methodologies in the highly competitive field of design. Training in the “value and culture of the project” is oriented with specific consideration to communication, industrial design and fashion. The courses aim to develop design skills and the practice of expressive, traditional and contemporary technological tools for the use and management of space and the principles of communication and image.

The School of Design regularly organizes, in agreement with public and private organizations, internships and placements that allow students to enhance their know-how by working with the world of production.

  • the world of communication and design
  • the culture of design, fashion and advertising graphics
  • dynamic work and research environments of business
     

Core disciplines

Interior design | Technical  and design drawing | Modeling | Architectural representation | History of design | History of contemporary architecture | History of contemporary art |  Virtual architecture | Design 1 | Design 2 | Design 3 | Graphic Design | 3D digital modeling techniques

Advanced and supplementary disciplines

Territory analysis and landscape design | Applied arts and material classification | Promotional communication | Semiotics of the body  | Design system |  Architectural drawings | Sustainable design |  Morphology and shape dynamics | Aesthetics | Phenomenology of contemporary arts | Photography | Lighting engineering | Design methodology | Design methodology of visual communication | Staging design | History of Applied arts | History and theory of image

To be admitted to the First Level diploma Course you must have a secondary school diploma or other suitable qualification obtained abroad. The selection is based on an exam which includes a general knowledge test, an artwork evaluation and an interview with the members of the commission.

Future Employment Prospects

Graduates will carry out professional activities in the different public and private areas of design, in the different fields of application, aimed at institutions, museums, small and medium sized companies through to large businesses with particular regard to advertising communication, space organization as a means of communication, setting, staging and all areas connected to business communication.

Study Plan

Artistic design for business 1 Level

A.Y. 2023/2024

Department of Applied Arts and Design

Five year Restoration course

PFP5 Course: Book and archive materials. Products in paper/parchment. Photographic, cinematographic and digital materials

The Five year programme in restoration leads to the student obtaining a second level academic diploma qualifying for the profession of cultural heritage conservator/restorer.

The course is currently represented by the educational profile PFP5- Book and archive materials- products in paper/parchment- photographic, cinematographic and digital material.

The study plan includes a number of common historical-artistic as well as technical- scientific courses, together with specific laboratory and workshop courses relating to the three professional profiles. This ensures the student a thorough preparation in order to achieve the skills necessary to take the final qualifying exam.

Core disciplines

Basics of Chemistry applied to restoration | History of Modern Art | Basics of Physics applied to Restoration | Cataloguing and Archive management | Design for restoration | Photography for Cultural heritage | Paper and parchment Restoration techniques | Basic IT skills | History of Medieval Art | History and Theory of Restoration 1 | Restoration of articles in paper and parchment 1 | Cultural heritage Legislation | Basics of Biology applied to Restoration | Photography techniques | Techniques of leather and hide products |  Techniques and technologies of art graphics for restoration | Paper technologies | Bookbinding techniques | Digital image processing | IT for restoration | History of drawing and artwork | Technologies of Materials for Restoration | Restoration of books and archive materials 1| Video editing | Chemistry applied to Restoration | Restoration of  articles in paper and parchment  2 | Restoration of photographic materials 1 | History of contemporary art | Building site health and safety legislation | History of printing and publishing | Industrial chemistry | English for Communication Arts 1 |  Diagnostics 1 |  Conservation issues of contemporary art | Restoration of books and archive materials 2| Restoration of photographic materials 2 | Restoration of film and video | Restoration of digital materials | History of the new media | Methods of handling works of art | English for Communication Arts 2 | Diagnostics 2| History of artistic techniques | Restoration of articles in paper and parchment 3

Every year the School takes in 10 students for each academic specialization after passing the admission tests. The test include a graphic design test, common to all profiles, a profile-specific aptitude test and a general knowledge test. For specific information on admissions please contact the Student Administration Office.

The multiple choice theoretical test includes a common section of general culture concerning art history, natural sciences (chemistry, biology, physics, earth sciences) and English language, and a specific section for each profile chosen. To pass this test, we recommend consulting the suggested bibliography (Annex 1).

The drawing test, as with all profiles, consists in the graphic transposition of an artistic artefact, or part of it, conducted by means of a photographic reproduction. The drawing must be done with a black graphite pencil, in linear stroke and without chiaroscuro, in a reproduction in scale (to be established) with respect to the format of the photograph (Annex 2).

The aptitude test of integration of gaps, specific for PFP5, consists in the integration with watercolor or in colored pencils of the circumscribed gaps present on the facsimiles of graphic works, in different techniques, which they offered to each candidate.

The test is multiple choice, divided into two sections:

1. SECTION COMMON TO ALL THREE EDUCATIONAL PROFILES = 40 QUESTIONS

  • General Art History: 20 questions
  • Nature sciences (chemistry, biology, physics): 10 questions
  • Questions in English: 10 questions

2. SPECIFIC SECTION FOR EACH TRAINING PROFILE CHOSEN = 20 QUESTIONS

  • 20 specific questions relating to the PFP1 sector
  • 20 specific questions relating to the PFP2 sector
  • 20 specific questions relating to the PFP5 sector

GENERAL ART HISTORY / RESTORATION THEORY

  • Bertelli Carlo, Briganti Giuliano, Giuliano Antonio, Storia dell’Arte italiana per le scuole superiori,  Mondadori Bruno Scolastica (o analogo manuale di scuola superiore)
  • Appunti per un Manuale di Storia e di Teoria del Restauro. Dispense per gli Studenti Collana Storia e Teoria del Restauro, di Marco Ciatti, 2009, Edifir

 

EARTH SCIENCE

  • Atkins, Jones, Fondamenti di chimica generale, Zanichelli Editore
  • Matteini, Moles, La chimica nel restauro, Nardini editore
  • AA. VV. Chimica per l’Arte, Feltrinelli, Milano
  • G. Caneva, M.P. Nugari, O. Salvatori (a cura di), La biologia vegetale per i Beni Culturali, vol.I, Nardini editore, Firenze 2005

 

PROFILE PFP1

  • AA.VV. Restauro del marmo: opere e problemi, Quaderni dell’Opificio delle Pietre Dure, Opus Libri, 1986
  • AA.VV., Materiali lapidei, Bollettino d’Arte supplemento al n. 41 (1987)
  • AA.VV., I colori del bianco. Policromia nella scultura antica, De Luca Editori d’Arte, Roma, 2004
  • L. Borgioli, Polimeri di sintesi per la conservazione della pietra, Il Prato, Padova 2002
  • G. Caneva, M.P. Nugari, O. Salvatori (a cura di), La biologia vegetale per i Beni Culturali, vol.I, Nardidi editore, Firenze 2005

 

PROFILE PFP2

  • F.Frezzato (a cura di), Cennino Cennini - Il libro dell'arte, Neri Pozza 2009
  • Corrado Maltese (a cura di), Materiali per la pittura. Preparazione e finitura delle opere pittoriche. Materiali e metodi. Preparazione e imprimiture, leganti, vernici, cornici, Mursia, Milano 1993
  • Daphne De Luca, I manufatti dipinti su supporto tessile. Vademecum per allievi restauratori, Il Prato 2015
  • AA. VV, Painted Wood: History and conservation, Getty Conservation Institute, 1994
  • Giuseppina Perusini, Il restauro dei dipinti e delle sculture lignee. Storia, teorie e tecniche, Del Bianco editore, 2004

 

PROFILE PFP5

  • Corrado Maltese, Le tecniche artistiche, Ed. Mursia 1973-1987 (da approfondire i seguenti argomenti: Disegni, Le prime manifestazioni grafiche. Il disegno su pergamena e su carta, Il pastello, Incisione e Stampa, Caratteri generali, La Xilografia e la Linografia, L’incisione su rame, L’incisione diretta e l’incisione indiretta della lastra metallica, la Litografia)
  • Lorenzo Baldacchini, Il libro antico, 2 ed. Carocci, Roma 2001 (cenni sulla storia del libro e della stampa)
  • Enrico Pedemonte (a cura di), La carta. Storia, produzione, degrado e restauro, Marsilio 2008 (capitoli relativi alla storia e alla fabbricazione della carta)
  • Carla Casetti Brach (a cura di), Gli itinerari della carta. Dall’oriente all’occidente: produzione e conservazione, Gangemi Editore, Roma 2010
  • S. Berselli, L. Gasparini, L'archivio fotografico. Manuale per la conservazione e la gestione della fotografia antica e moderna, Zanichelli 2000 (con particolare riferimento ai capitoli 3,4,5,6,7,9,10)

Future Employment Prospects

  • Institutions of the Ministry of Cultural Heritage and Activities Responsible for the protection of Cultural Heritage (supervisory bodies, museums, archaeological sites, monumental buildings etc)
  • Public and private research institutions operating in the field of conservation and restoration of cultural heritage
  • Laboratories, companies and professional organizations in the sector

Study Plan

PFP5

A.Y. 2023/2024

Allegati

Bibliografia consigliata